Saturday, June 30, 2012

WARNING:  This post is more about questions than answers. So be prepared to be confused or if you’re not confused, then be prepared to leave comments so I can become unconfused!
To borrow the format of an old old song, how many words must a writer write before he/she becomes a writer? That is the question of the day.
Last year, my fourth book released (PURSUED, www.whiterosepublishing.com) and am only beginning to  look people in the eye and say, “I’m a writer.”
This is my first book published by a “traditional” publishing company. I self-published my first book, then had two published by a POD publisher. For me, I didn’t feel like I was a writer until I’d been validated by a traditional publisher, but that’s just me.
I know there are plenty of writers out there who haven’t even completed a book but they have no problem telling others they are a writer. And far be it from me to disagree with them.
Does a person become a writer as soon as they decide to become a writer? After they’ve written the first word, first paragraph, or finished their first book? Maybe, they don’t become a “real writer” until they’ve published a book?
Mmm. That could be a good definition. A person becomes a writer after they’ve published a book. Really?
I wrote for at least eight years before my first book was published. I wrote faithfully day after day, before work, after work, on weekends and holidays. Didn’t that make me a writer? And yet, at the time I didn’t feel like I could tell people I was a writer. Crazy, huh?
Let’s see what the dictionary says. Dictionary.com says an author is a person who writes a novel, a poem, or other written work.  Another definition is the maker of anything, the creator of anything.  Mmm.
I don’t see anything in the definition that you are only an author if your writing makes money, or if your book becomes a bestseller, or if everyone knows your name, or even if a publisher decides you are a writer.
Gosh, I guess I was a writer all along and just didn’t know it. To learn more about Lillian and her writing visit: www.lillianduncan.net
What’s your opinion? When does a person become a writer?
God Bless and Good Reading! Lil
BIO:
Lillian Duncan is a book lover as both a reader and a writer. Her tagline on her website (www.lillianduncan.net) says it all STORIES OF FAITH MINGLED WITH MURDER AND MAYHEM.  Tired of having to skip over all the four letter words and explicit sex scenes, she started writing the type of books she loved to read—suspense with a touch of romance.

To learn more about Lillian and her books, visit: www.lillianduncan.net.  She has a devotional blog at: www.PowerUpWithGod.com  Her most recent releases are PURSUED (White Rose Publishing) and DECEPTION (Harbourlight Books).
BOOK BLURB:
DECEPTION: 

Twins are supposed to have an unbreakable bond, but Patti and Jamie have serious “relationship issues.” Patti hasn’t seen Jamie since her twin ruined her upcoming nuptials years before. When a niece she knows nothing about calls, Patti must unravel the yarn of Jamie’s life and her disappearance.

Detective Carter Caldwell takes his job seriously, and it's his job to keep Patti and her adorable niece safe. But Patti is determined to help find her sister. Each step brings her closer to the truth, but pulls her further into a web of danger and deception.

Together, they must find the courage and faith to continue the search for her sister. Her journey will take her down a road of deception where they will have to fight for her life and the lives of countless Americans.

How Many Words Must a Writer Write Before They Become a Writer?

Guest Post by Romantic Suspense Author Lillian Duncan

WARNING:  This post is more about questions than answers. So be prepared to be confused or, if you’re not confused, then be prepared to leave comments so I can become unconfused!


To borrow the format of an old old song:
How many words must a writer write before he/she becomes a writer?
That is the question of the day.


Last year, I my fourth book released (PURSUED, www.whiterosepublishing.com) and I am only beginning to look people in the eye and say, “I’m a writer.”


This is my first book published by a “traditional” publishing company. I self-published my first book, then had two published by a POD publisher. For me, I didn’t feel like I was a writer until I’d been validated by a traditional publisher, but that’s just me.


I know there are plenty of writers out there who haven’t even completed a book, yet they have no problem telling others they are a writer. And far be it from me to disagree with them.

Does a person become a writer as soon as they decide to become a writer? After they’ve written the first word, first paragraph, or finished their first book? Maybe, they don’t become a “real writer” until they’ve published a book?


Mmm. That could be a good definition. A person becomes a writer after they’ve published a book. Really?


I wrote for at least eight years before my first book was published. I wrote faithfully day after day, before work, after work, on weekends and holidays. Didn’t that make me a writer? And yet, at the time I didn’t feel like I could tell people I was a writer. Crazy, huh?


Let’s see what the dictionary says. Dictionary.com says an author is a person who writes a novel, a poem, or other written work.  Another definition is the maker of anything, the creator of anything.  Mmm.


I don’t see anything in the definition that you are only an author if your writing makes money, or if your book becomes a bestseller, or if everyone knows your name, or even if a publisher decides you are a writer.


Gosh, I guess I was a writer all along and just didn’t know it.  What’s your opinion? When does a person become a writer?

God Bless and Good Reading! Lil
To learn more about Lillian and her writing visit: www.lillianduncan.net


Lillian Duncan is a book lover as both a reader and a writer. Her tagline on her website (www.lillianduncan.net) says it all STORIES OF FAITH MINGLED WITH MURDER AND MAYHEM. Tired of having to skip over all the four letter words and explicit sex scenes, she started writing the type of books she loved to read—suspense with a touch of romance.
 
To learn more about Lillian and her books, visit: www.lillianduncan.net.  She has a devotional blog at: www.PowerUpWithGod.com  Her most recent releases are PURSUED (White Rose Publishing) and DECEPTION (Harbourlight Books).

DECEPTION
Twins are supposed to have an unbreakable bond, but Patti and Jamie have serious “relationship issues.” Patti hasn’t seen Jamie since her twin ruined her upcoming nuptials years before. When a niece she knows nothing about calls, Patti must unravel the yarn of Jamie’s life and her disappearance.
 
Detective Carter Caldwell takes his job seriously, and it's his job to keep Patti and her adorable niece safe. But Patti is determined to help find her sister. Each step brings her closer to the truth, but pulls her further into a web of danger and deception.
 
Together, they must find the courage and faith to continue the search for her sister. Her journey will take her down a road of deception where they will have to fight for her life and the lives of countless Americans.
 AVAILABLE AT:
Harbour Light Books:
Amazon:
Barnes & Noble:
CBD:
http://www.christianbook.com/deception-ebook-lillian-duncan/9781611161465/pd/23410EB?item_code=WW&netp_id=967295&event=ESRCG&view=details

Tuesday, June 26, 2012

Hot Tips on Crafting Blurbs for Your Novel


Ah, the promotional blurb. Those little emotion-packed paragraphs that have to do it all; hook the curiosity, sway the impulses, swoon the heart. They never get easier to write. Whenever I find myself caught and reeled in by a well-crafted blurb, I want to analyze its parts and dissect its structure.

Blurbs have to do a few things which are:

  • tell us something about the protagonist(s) that hint at their personality and deeper character,
  • cast a mood or tone so we know if the book is suspenseful, funny, dramatic, romantic -- if it's historical or speculative this might include hints at setting or era,
  • set us up for the primary conflict or story problem.

But this is a lot to accomplish in, say, 100 words, give or take a few. Meaning -- it's imperative no words are wasted. So, just like in the manuscript itself, get rid of unnecessary words like "that", or opening phrases like "this story is about..." Lose adverbs that take away immediacy and add to word count. Replace them with taut verbs.

Here's an example:

Clara Hopkins' spine tingles with dread every time she's forced to look upon Brody Mack's scarred face. How could her father really expect her to marry such a powerful and frightening man? Still, with her father's fortunes spent, and Hopkins House falling into disrepair, she dare not refuse Brody's attentions. Without the promise of his money, Clara's mother might never have the chance to get well. If only Brody were like Tom, the poor school teacher she admires more than anyone. He is light to Brody's darkness. Fear twists Clara's heart as her carriage bounces over the rain-gushed ruts, and lightning illuminates Brody's mansion in stark contrast against the night. For there is no way out.

Here we learn that Clara is of marriageable age, she's a faithful daughter, frightened but determined, willing to sacrifice for her mother whom she must love deeply, and perhaps formerly used to privilege but without fortune now. We know she compares two very different men. We don't know if she has good cause to fear Brody Mack, or if she's just being snobbish because of his scars, but that begs a good story question.

This blurb also helps us know we are in some type of historical setting, and that the book is suspenseful and romantic -- gothic even.

The conflict is clear. She must save the family fortunes and her mother's life by marrying well and against her wishes. Will she do it? Will she find love instead with Tom the school teacher, and discover another way to save her parents from their despair? Who is Brody Mack?

Know the purpose of your blurb.

Doing so isn't as obvious as it seems. You will have different blurbs for different purposes. The example above is too long for an elevator pitch, and it might be too short for something else, like a brief synopsis in which an editor will want to know further details and answers to those story questions. It might need further tweaking to suit the back jacket of a book. Note that in the example of Clara Hopkins's story, I haven't really given any idea about a hero or protagonist. We don't really know the precise roles of either Brody or Tom. In some genres -- straight romance for example, and depending on the requirements of the publisher -- you might need to specify more in your blurb about those roles. So you will need to write more than one blurb, because, as I said, different blurbs serve different purposes. In writing several, you will notice the cream of your reconstruction rising to the top. You will wind up with a variety of very effective blurbs of differing lengths which you'll use on Facebook, Twitter, in interviews, and for web pages. It's all good.

Another thing to do when crafting your blurb is to let it rest.

It's a good idea all the while you are working on your novel to periodically reassess your blurb. Stepping away from it for days or even weeks at a time will give you a fresh perspective each time you visit it. I just wrote the above blurb yesterday. I'm sure when I look at it again in a few days or weeks, I'll think of many ways to change and improve it.

Showing is still better than telling.

Blurbs, by their capsulated nature, tell things. But whenever you can, show in your blurb rather than tell, just like you do in the story itself. Notice the last line in the example above. Instead of saying, the future looks dark and ominous as Clara realizes she is forced to accept her fate, we see it happening in real time as she bounces over those rain-gushed ruts in her carriage while lightning flashes across the sky.


Hmm... I like it. I think I'll go write a book to go with it. God speed tackling your blurb.

Write on.

Coming Soon! The Black Rose ~ Empire in Pine, Book 3
Despite the panic of 1893, logging reaches its golden era in the growing state of Wisconsin, and twins Jesilyn and Corianne Beaumont enjoy a comfortable life with family in the bursting Great Lake city of Superior. But when jealousy incites Jesi to seduce Cori's fiance, a flight and fall from grace lands her in a boomtown brothel, where a fresh start is denied her.
Camp preacher Paul Winter longs to offer hope in the logging and mining towns of northern Wisconsin, but not in the way he expects when he meets a redhead he calls Pie Girl. He's never had to battle his own longings quite this way before.
Meanwhile, stung by Jesilyn's betrayal, Corianne's bitterness might separate her fom a second chance at happiness and peace. Only by Grace can both women begin new lives, and budding love can bloom in places neither of them expect.

Purchase Links:
Desert Breeze / Other Formats: http://tinyurl.com/43jbuvd